AJA Ki Pro Mini Fieldrecorder


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AJA Ki Pro Mini

Konzipiert als kompakter Fieldrecorder,
beschleunigt die Ki Pro Mini Ihren Workflow “Lens to Post”, indem sie
Apple ProRes (auch HQ, LT und Proxy) direkt von der SDI- oder
HDMI-Kamera aufnimmt. Während die Kamera auf ihr Band (oder
File-based-Media) aufnimmt, zeichnet die Ki Pro Mini gleichzeitig ProRes
auf CF Karte zum sofortigen Schnitt auf. Durch ihr besonderes Design
und den kleinen Formfaktor ist die Ki Pro Mini leicht an Kameras und
Stative zu montieren. Die optionale Mounting-Plate hat eine Vielzahl von
Montagepunkten, um die Ki Pro Mini mit praktisch jedem Kamerazubehör
oder Zubehörschuh zu verbinden.

Aufnehmen direkt in ProRes oder DNxHD
Kompakt, leicht und immer bereit für die Aufnahme: Die Ki Pro Mini nimmt ProRes direkt von jeder SDI oder HDMI Kamera auf.

Schneller Transfer zu NLE-Software z.B. Apple/Avid
ProRes Material wird auf CF Karten gespeichert, und kann geschnitten
werden sobald ein normaler Cardreader mit dem Mac verbunden ist.

The fastest path from camera to editorial
to mount easily to virtually any SDI or HDMI equipped video camera, Ki
Pro Mini connects directly to your camera’s digital output and captures
full quality footage to Compact Flash (CF) media in Apple ProRes 422 or
Avid DNxHD formats. When it’s time to edit, just remove the CF media,
transfer to your computer via card reader, and the footage is ready to
use straight away in your editing software, without the need for
additional import or transcoding steps.

10-bit, full raster recording
on quality – but not on file size. Recording 10-bit, full raster files,
Ki Pro Mini gives you high quality images that easily stand up to post
processing requirements – and client scrutiny.
Compared to 8-bit
recording devices, 10-bit 4:2:2 recording provides greater dynamic
range, giving a superior representation of the original scene and
allowing for more flexibility in post production when adjusting color
and balance.
By utilizing efficient ProRes and DNxHD codes, file
sizes are kept in check so you won’t need to blow your production budget
on extra storage.

Apple ProRes and Avid DNxHD
many cameras record directly to digital files, most native camera
formats aren’t designed for efficient non-linear editorial work. Ki Pro
Mini solves this problem by recording direct to the formats you edit in,
using a variety of Apple ProRes 422 or Avid DNxHD codecs.
cameras each record to their own native formats, which can lead to
inefficiencies in the editing process. Recording each camera to a Ki Pro
Mini unifies production to a single file format, streamlining the edit

Familiar controls and intuitive operation
simple controls and an intuitive operating system, Ki Pro Mini is easy
to incorporate in your existing setup without having to worry about the
learning curve.
Just like a traditional tape deck, Ki Pro Mini
features straightforward dedicated Record, Play, Rewind and FastForward
buttons making it easy to transition to with minimal training time. The
current status of the Ki Pro Mini and all configuration information is
clearly displayed on the built-in screen. The embedded OS uses a fast,
flat menu structure that allows full configuration to be done directly
on the device with no need to connect to a laptop to access operational

Ready for action
Compact but rugged, Ki Pro
Mini is designed to withstand the rigors of real world use, shoot after
shoot, day after day. We use the highest quality components to ensure
it’s ready to go to work every time you are.
It may be small, but Ki
Pro Mini is made of lightweight, strong aluminum, with a robust
construction that allows it to support the growing amount of extra gear
that is attached to today’s cameras.

Playback and edit on-set
Pro Mini vastly extends on-set capabilities for smaller productions and
fast-moving shoots. Recorded shots can be played immediately without
the need for separate video assist equipment.
If you’re using a
mobile editing system, footage from Ki Pro Mini can be edited while
you’re still on the set, letting you make sure you have the right shots
and allowing the talent to see their performances in context to give
them better insight into the scene.

Flexible mounting options
no two setups are ever the same, you need the flexibility to adapt to
the circumstances of any shoot. The Mini Mounting Plate attaches to the
sides of the Ki Pro Mini and provides almost endless mounting
possibilities when used in combination with battery plates, hot shoe
mounts, articulated arms and more.
Giving you more options for
mounting, camera balance and weight distribution can be carefully
controlled instead of just adding another device to the body.

Broadcast-quality SDI and HDMI I/O with embedded analog audio support
Pro Mini is designed to give the best results whether your system uses
SDI, HDMI or a combination of both. And because the SDI and HDMI outputs
are both always active, the Ki Pro Mini is not just a recorder but a
converter as well.
Saving time in the edit stage, the two XLR analog
audio inputs allow on-set audio to be recorded directly into the ProRes
or DNxHD files, meaning less work synchronizing audio and video from
separate sources.

Remote configuration and control
area around a camera is a crowded place on the set, so as soon as it’s
connected, Ki Pro Mini requires minimal direct user interaction. Record
start/stop operation can be triggered automatically by detecting
information in the SDI signal or by using a separate LANC control on
properly equipped cameras.
Ethernet connectivity of Ki Pro Mini
allows control and configuration to be performed via web browser at
distances up to 100 feet. Networking multiple Ki Pro Mini units together
means they can all be controlled from a single interface and locked
together for gang recording, status monitoring and playback.

Technische Spezifikationen

Video Formats
  • 525i 29.97
  • 625i 25
  • 720P
    23.98, 25, 29.97, 50, 59.94, 60 (Note: 720p 23.98 (24), 720p 25 and
    720p 29.97 require a valid camera source and the use of the Record
    Type>VFR selection)
  • 1080i 25, 29.97, 30
  • 1080PsF
    23.98, 24, 25*, 29.97* (Note: 25 and 29.97 require a valid camera source
    and the use of the Record Type>PsF selection)
  • 1080p 23.98, 24, 25, 29.97
Codec Support
  • Apple ProRes 422
  • Apple ProRes 422 (HQ)
  • Apple ProRes 422 (LT)
  • Apple ProRes 422 (Proxy)
  • Avid DNxHD 220x
  • Avid DNxHD 145
  • Avid DNxHD 36 (Note: Avid DNxHD 36 only provides support for the 1080p format)
Removable Storage
  • Compact Flash (CF) Cards – 2 slots (See here for supported media)
Video Input Digital
  • SD/HD SDI, SMPTE-259/292/296, 10-bit
  • Single Link 4:2:2 (1 x BNC)
  • HDMI v1.3
Audio Input Digital
  • 8-channel, 24-bit SMPTE-259 SDI embedded audio, 48kHz sample rate, Synchronous
  • 2-channel, 24-bit HDMI embedded audio, 48kHz sample rate, Synchronous
Audio Input Analog
  • 2-channel, 24-bit A/D analog audio, 48kHz sample rate, balanced (2 x XLR)
  • Input level: Line, Mic, Mic+phantom 48Vdc
  • +24dbu Full Scale Digital
  • +/- 0.2db 20 to 20kHz Frequency Response
Audio Output Digital
  • 8-channel, 24-bit SMPTE-259 SDI embedded audio, 48kHz sample rate, Synchronous
  • 8-channel, 24-bit HDMI embedded audio, 48kHz sample rate, Synchronous
Audio Output Analog
  • Stereo unbalanced headphone (1 x 1/4″ mini jack)
  • SDI RP188 via SDI BNC
  • HDMI (when used with compatible cameras)
  • LTC input (1 x BNC)
Network Interface
  • 10/100 Ethernet (RJ-45)
  • Embedded web server for remote control
User Interface
  • 3 line character display, with dedicated buttons
  • LANC Loop (2 LANC Connectors) (Note: requires a LANC enabled camera)
  • Width: 4.35” (11.06cm)
  • Depth: 1.82” (4.62cm)
  • Height: 5.90” (14.998cm)
  • Power: 100-240 VAC 50/60Hz (adapter), 12-18Vdc 4-pin XLR (chassis), 1.5A max, 15W typical-18W Max
  • Weight: 1.262 lb. (0.572kg)

Die Ware ist
original verpackt und wird mit Rechnung und ausgewiesener
Mehrwertsteuer versendet.

Diese Hardware ist Umtausch- und
Rückgaberecht ausgeschlossen.
Dieses Angebot richtet sich ausschließlich an gewerbliche Käufer. 

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